All Medals

The medal's obverse bears a nude woman holding spirited infant with ball. Around, THE DANCE OF LIFE BEGINS EARLY / AND GOES ON.

The reverse bears nude male being pulled and pushed by two contending nude women. Around, WITH PLEASURE - PAIN / AND THE PROTAGONIST; between legs of figures, signature A - S - C / ©.

In this medal Alexander Stirling Calder portrays life as a dance that starts with playful exuberance and continues with experiences both pleasant and painful. It is not up to the dancer to decide how to dance, or even whether to dance. While every person is the protagonist in their own play, the script is continuously being written by others.

This design by Alexander Stirling Calder was chosen as the 17th issue of the prestigious Society of Medalists series. It measures 73mm in diameter. Struck by the Medallic Art Company of New York, the reported production quantity of this medal is 891 pieces in bronze and 100 in silver.

References:   MACo 1930-001-017, Marqusee 101, SoM 17

The obverse bears bust of Hyde facing right. Around top, · JAMES · H · HYDE ·; to left, JUNE 6 / 1876; at bottom, · 1948 ·; signed under truncation, PAUL MANSHIP · SCULP

The reverse bears four heads representing the The Four Continents: Minerva in Grecian helmet, Balinese dancer in crown, American Indian with feathered Mohawk, African head with stacked neck rings inspired by the Ife Bronzes; boldly beaded border around heads.

The edge is marked MEDALLIC ART CO. N.Y. BRONZE

James Hazen Hyde (1876-1959) was at the center of the first great Wall Street scandal when opponents including such notables as J.P. Morgan, E.H. Harriman and Henry Clay Frick tried to remove him from control of The Equitable, the company his father had founded. While the public smear campaign against him was largely based on untruths, it caused him great social troubles. He eventually divested himself of his businesses and left the United States for Paris to focus on other interests.

One of his great passions was history. He assembled what is probably the most comprehensive and diversified collection of decorative art objects, tapestries, prints and drawings tracing the theme of the Allegory of the Four Parts of the World (or the Four Continents) from the mid-sixteenth to the late nineteenth century. While the collection was divided up among several museums, the bulk of it remains in New York and resides at the Metropolitan Museum of Art, the New York Historical Society, the Cooper-Hewitt Museum, and the Brooklyn Museum of Art.

Many thanks to a collector who wishes to remain anonymous for sending me the images.

The medallion measures 89.3mm in diameter and was struck in bronze by the Medallic Art Company of New York.

References:   MACo 1948-029

The galvano bears two cornucopias above open scroll flanked by female figures standing on winged spheres; figure at left bearing caduceus, figure at right burning torch; at bottom, two dolphins. On scroll, To commemorate / the visit of / President elect / EPITACIO / PESSOA / of BRAZIL / to the / UNITED STATES / of AMERICA / 1919

This was a design for the reverse of a medal commemorating the visit to the United States in 1919 of Dr. Epitacio M. Pessoa, president-elect of Brazil. Dr. Pessoa had been the Brazilian representative at the armistice negotiations in Versailles and on his return he visited the United States. He arrived in New York City, then traveled to Boston and Washington, D.C., where he made ceremonial appearances meant to solidify relations between Brazil and the United States.

It is fascinating to contrast this design with the one on the finished medallion:  the flanking figures change sex and orientation, they carry different props, a ship is added at the bottom, and the lettering changes.

The galvano measures 79.8mm in diameter.

The uniface medal bears eagle head, facing right.

This beautiful medal appears to be a stock design that is used by the Medalcraft Mint for customized recognition medals. A dedication or corporate logo can be added to the empty space below the beak to create a "one of a kind" medal.

Regardless of its prosaic usage, the medal bears a beautifully designed eagle head that happens to please even more due to the absence of corporate messaging.

The circular medal measures 76.3mm in diameter and was struck in bronze by the Medalcraft Mint of Green Bay, Wisconsin. No mintage is reported.

The uniface medal bears seated nude female figure holding scales in her right hand within geometric pattern border.  Downwards at right side, LIBRA; under crossed feet at bottom, © MACO - 1967

Chambellan's Zodiac medals were issued more than a decade after his death and are probably based on designs he made in the early 1930s when he was working on the RKO Roxy Theater.  The 1960s saw renewed interest in astrology and the signs of the zodiac arising in part from the counter-cultural hippie movement and its subsequent adoption into mainstream culture.

Libra is the seventh astrological sign in the Zodiac. It spans 180°–210° celestial longitude. Under the tropical zodiac, Sun transits this area on average between September 23 and October 23, and under the sidereal zodiac, the sun currently transits the constellation of Libra from approximately October 16 to November 17.

The symbol of the scales is based on the Scales of Justice held by Themis, the Greek personification of divine law and custom. She became the inspiration for modern depictions of Lady Justice.

The ruling planet of Libra is Venus. Libra is the only zodiac constellation in the sky represented by an inanimate object. The other eleven signs are represented either as an animal or mythological characters throughout history. Libra is one of the three zodiac air signs, the others being Gemini and Aquarius.

The Libra medal has unusually high relief, with the female figure's head rising a full 5mm above the medal's surface plane, effectively doubling the medal's thickness.

My silver variant is engraved on the reverse.  The dedication reads:  TODD H. OVERTON, J.D., M.D. / OCTOBER 12. 1937

The circular medal measures between 69.7 and 69.8mm in diameter and was struck in bronze and silver by the Medallic Art Company of New York.  No mintages are reported but based on my experience I believe the silver variant to be very rare.

References:   MACo 1967-151-010

References:   BG 29

The medal's obverse bears sword and shield bearing allegorical female figure representing France astride, facing half rightl shield emblazoned with RF; light beans emanating from behind her head; background composed of masses of small soldiers and war machinery, including airplanes and artillery.  Around, · TO · COMMEMORATE · THE · DEFENCE · OF · VERDUN - 1916 ·

The reverse bears two towers of castle fortifications with bridge and moat flanked by French soldiers crossing bayonet-equipped rifles in front of city; female figure carrying laurel crown and trumpet flying above; in exergue, Verdun's coat of arms and streamer reading · ILS · NE · PASSERONT · PAS ·; signed in exergue around bottom right, PAUL MANSHIP ©

The Battle of Verdun lasted from 21 February to 18 December 1916. For 303 days French and German forces battled back and forth, waging the longest and one of the most costly battles in human history. An estimate in 2000 found a total of 714,231 casualties, 377,231 French and 337,000 German, for an average of 70,000 casualties a month; other recent estimates increase the number of casualties to 976,000 during the battle, with 1,250,000 suffered at Verdun during the entire war. In the end, the German advance fell short and the citadel of Verdun became the symbol of a bloody defensive victory.

Congress authorized a special gold medal honoring the sacrifice of the citizens of the French city of Verdun during World War I. The Commission of Fine Arts held a limited competition for medal designs in early 1920, and this medal is one of Paul Manship’s proposed designs.  The alternative design is titled "Defense of Verdun Medallion"; notice the American variant of the spelling of "defense".

The French phrase on the reverse translates to the famous slogan that became associated with the battle of Verdun: "They shall not pass!"

The spelling of "Defence" in the medallion's title is intentional and follows the lettering on the medal. For some reason Manship picked the British variant of "defense" for this medal.

The circular medal measures 103mm in diameter and was cast in bronze.

This medal's obverse bears modernized head of Arethusa, wearing winged and eagle-headed helmet with motto I WILL, facing left. Around, C · C · C · 50TH · ANNIVERSARY - 1919 1969; signed under truncation, © T · A · ROVELSTAD · 1968

The reverse bears the six Winter Hexagon stars and Betelgeuse in the middle. Around edge, CHICAGO · COIN · CLUB / DOCENDO DISCIMUS; inside stars, conjoined CCC logo surrounded by ORGANIZED 1919 · / INCORPORATED 1938; signed with (TR monogram)

The 50th anniversary of the Chicago Coin Club was celebrated January 8, 1969 with a banquet at Harding's Restaurant. The 77 in attendance had only one regret - that the bad weather kept many away. Trygve Rovelstad had been asked to create the corresponding anniversary medal and picked the head of his proposed Arethusa statue for the design. The medal's reverse was designed to be usable for future Club medals. Apparently, a quantity of nickel-silver and silver uniface medals were struck to have a cache of engravable medals on hand.

This is a very handsome medal and definitely one of the nicest Coin Club issues of modern times. Too many coin clubs issue medals with relatively boring busts of club presidents whereas this design is truly worthy of being immortalized on a medal.

The circular medal measures 57mm in diameter and was struck in bronze and silver by the Medallic Art Company of New York. The reported mintage is 182 pieces in bronze and 113 pieces in silver. The bronze medals originally cost $5 and the the silver medals $20 and were sold to members only.

References:   MACo 1968-136

The medal's obverse bears group of three figures; male figure at left, representing industry is seated on an anvil and holds gear wheel and hammer; center female figure, representing public health, is holding caduceus and checmical reaction vessel; female figure at right, representing agriculture, is holding bundles of grain and a sickle. Around, APOTHECARIES HALL COMPANY / 1849 · CENTENNIAL ·  1949; signed at right under wheat, (RC monogram)

The medal's reverse bears view of the Apothecaries Hall Company's original building with horse-drawn cart to its left. Across, ORIGINAL ·  BUILDING · · 1849 / IN COMMEMORATION / OF A CENTVRY OF SERVICE TO / INDUSTRY, AGRICULTURE, AND PVBLIC HEALTH

References:   MACo 1949-012