Society of Medalists

References:   MACo 1930-001-001, Marqusee 174, SoM 1

This medal was chosen as the 2nd issue of the prestigious Society of Medalists series. The obverse bears a grape-crowned, bearded god of wine over shallow, two-handled kylix. Around, in two lines, HAIL - TO - DIONYSUS - WHO - FIRST - DISCOVERED / THE - MAGIC - OF - THE - GRAPE. The reverse bears youthful satyrs trampling grapes. Below, signed © / .P.MANSHIP 1930.

Manship's medal proved to be highly controversial and thus provided much needed publicity for the still young Society of Medalists. America was still nominally observing Prohibition and at least one member is reported to have resigned over this "glorification of wine."

The medal measures 73mm in diameter. The Medallic Art Company of New York struck a reported 1,950 medals in bronze and 50 in silver.

References:   MACo 1930-001-002, Marqusee 256, Murtha 265, SoM 2

This medal was chosen as the third issue of the prestigious Society of Medalists series in 1931. The obverse bears five Hopi rain dancers, two with snakes in their mouths, two distracting the snakes with eagle feathers, and one crouching to gather up snakes. In exergue, incuse HOPI; at lower right, H A macNeil

The reverse bears dancers racing from mesa onto the desert, hands full of snakes to be returned to their dens. Lightning flashes above. In exergue, incuse PRAYER FOR RAIN; at lower left, incuse ©

This medal's theme was based on bas-relief panels that MacNeil had made decades earlier after a visit to a Hopi reservation. In the brochure accompanying the medal he wrote:

"The two incidents of the Hopi Prayer for Rain on the mesas of northeastern Arizona depicted on this medal are chosen by your sculptor because of the extraordinary vital enthusiasm and power that the Indians throw into this ceremony. Having witnessed it and been thrilled by the intensity of their emotion and on further study by the complicated and perfectly natural development of this drama, I cannot help feel that in it we find a basic note underlying all religions. All these Southwest Indians, living as they do in an arid region, have developed their religion along the lines of their greatest need - water."

This is one of the SoM medals that come in several strikingly different finshes. You can scroll the medal images between variants.

Struck by the Medallic Art Company of New York, the medal is an ovoid measuring 74mm x 70mm. The reported mintage of this medal is 1,713 medals in bronze and 25 in silver.

References:   Baxter 354, MACo 1930-001-003, Marqusee 251, SoM 3

The obverse bears a likeness of Charles Lindbergh wearing flight gear, goggles dangling over his chest, with the inscription "CHARLES AUGUSTUS LINDBERGH" and Frederick MacMonnies' monogram FM / 1931 / ©

The reverse bears an allegorical scene together with the inscription "LONE EAGLE."

Lindbergh's non-stop transatlantic flight from Long Island to Paris took place between May 20th and 21st 1927. Not only did he win $25,000 in prize money for the first non-stop flight from New York to Paris, he also captivated the imagination of an entire generation. Upon his arrival at the airfield of Le Bourget, just outside of Paris, a 100,000 strong crowd gave him a hero's welcome. His achievement was commemorated in countless stamps, medals, and commemorative issues of all kinds.

MacMonnies created this medal four years after the flight and late in his career. He tried to convey Lindbergh' spirit and courage on the obverse. In MacMonnies' own words:

"To attempt to commemorate Lindbergh's mighty achievement within the tiny compass of a three inch medal is preposterous, and if one does not succeed in represeting even a faint suggestion if the sublime courage that faced appaling odds - the fascinating problem is compensation enough. In the head of Lindbergh I have tried to catch something of the inner belief and nobility of vision of the boy, together with the experience of the master airman."

MacMonnies likely based his obverse design on the iconic photo of Lindbergh shown here.

This medal was chosen as the fourth issue of the prestigious Society of Medalists series in 1931. Struck by the Medallic Art Company of New York, this medal measures 73mm in diameter. The reported production quantity is 1,989 in bronze and 250 in silver though there were two additional 32mm-diameter editions in bronze and silver.

References:   MACo 1930-001-004, Marqusee 249, SoM 4

The obverse bears a sower scattering seeds under a stylized sun. Above, WHATSOEVER A MAN SOWETH; in exergue, LAWRIE / ©

The reverse bears a sickle poised over a wheat ear and a nettle. Across, THAT SHALL HE ALSO REAP

Lee Lawrie was fascinated by the sower and reused this motif time and again in many projects. Originally conceived for the Nebraska State Capital, where it adorns the dome in the form of a giant statue, he also used it on the Rockefeller Center in New York. In the artist's own words:

"All of us are sowers, and we should not expect life to yield much in return for little, or little for nothing, or anything at all for the mere wishing - either in a material or in a higher, abstract way."

This medal was chosen as the fifth issue of the prestigious Society of Medalists series in 1932. It measures 73mm in diameter and was struck by the Medallic Art Company of New York. The reported production quantity is 1,617 pieces in bronze and 35 in silver.

References:   MACo 1930-001-005, Marqusee 241, SoM 5

The obverse bears an elegant beauty, one hand toying with string of pearls; above, APHRODITE; in lower right, MCM (circled JF monogram) XXXII.

The reverse bears a relay runner passing the torch to another. In upper left, SWIFT RUN- / NERS; in exergue, JF © Sc.

Flanagan's career had peaked at this point and he reused older works for his medal. The obverse is based on a 1904 marble medallion which graced August Belmont's Knickerbocker Hotel in Manhattan. The reverse was originally created for a clock that was installed in the Main Reading Room of the Library of Congress in 1902.

This medal was chosen as the 6th issue of the prestigious Society of Medalists series. It measures 73mm in diameter and was struck by the Medallic Art Company of New York. The reported mintage is 1,494 pieces in bronze and 125 in silver. The bronzes exist in many patina variants and even the silvers exist in two variants: one from the original silver run in the 1970's and one from a telemarketing promotion in 1993.

References:   Baxter 163, MACo 1930-001-006, Marqusee 155, SoM 6

The medal's obverse bears a winged cherub holding two laurel crowns. At lower right, GLORIA.

The reverse bears a cicada flanked by FA - MA; in lower right Jennewein's distinctive signature, a stylized facial profile, CPJ / 1933 / ©. The border is boldly beaded.

Jennewein contrasts Glory and Fame, two aspects of achievement and recognition, on a medal, which itself is often used as an award. He thus makes a subtle point not just about the distinction between fame and glory but also about the medium itself. In his "Message from the Artist" Jennewein wrote:

"Fame and Glory are symbolized in this medal as the elements in the life of men which the awarding of medals is designed to promote and recognize. But the artist has made a subtle distinction between that Glory which, unsought, belongs to those who aspire, strive and sacrifice for a great ideal, and that Fame which is won by self-seeking in the attainment of public eminence for the gratification of personal power and vanity."

He used the cicada as a symbol for the latter because its "noisy and shrill self-assertion gains wide hearing but is only the discordant demonstration of an obstreperous but insignificant creature." If Jennewein was annoyed by this type of person, I wonder what he would make of much of modern pop culture...

This medal was chosen as the 7th issue of the prestigious Society of Medalists series. It measures 73mm in diameter. The Medallic Art Company of New York reportedly struck 1,237 pieces in bronze and 125 (out of 700 authorized) in silver.

References:   MACo 1930-001-007, Marqusee 209, SoM 7

The medal's obverse bears male and female nudes stretching towards the sky, winged Pegasus rearing at left. Below, signature G. CECERE / © 1933.

The reverse bears twin peaks with a small tree growing at their feet with stars above. Above, concentric two-line legend, THERE IS NO EASY WAY FROM THE / EARTH TO THE STARS.

It was created in the middle of the Great Depression and, in Cecere's own words, symbolizes

"the age-old inner urge of a large portion of humanity - its never-ceasing struggle to free from the bondage of the sordid and material, its aspiration toward a higher place of existence."

He dedicated his medal to "those who are fighting adversities while maintaining a vision of a higher goal."

This medal was chosen as the eighth issue of the prestigious Society of Medalists series. It measures 73mm in diameter and had a reported production of 1,287 in bronze and 125 in silver.

References:   MACo 1930-001-008, Marqusee 107, SoM 8

The obverse bears a nude boy with a fishing rod who just caught a little fish and the the first half of an Oliver Wendell Holmes quotation: "OH WHAT ARE THE PRIZES WE PERISH TO WIN."

The reverse bears a jumping trout with the second half of the quote: "TO THE FIRST LITTLE SHINER WE CAUGHT WITH A PIN."

In the artists own words:

"Beneath these whimsical words of the poet runs a vein of seriousness. I have not been unmindful of that undercurrent. A boy fishing is a common sight. But a boy's hopes, aspirations, struggles - these are the things that build the world's epics."

This medal was chosen as the 9th issue of the prestigious Society of Medalists series. It measures 73mm in diameter and was produced by the Medallic Art Company of New York. The reported mintage is 1,207 pieces in bronze and 100 in silver.

References:   MACo 1930-001-009, Marqusee 3, SoM 9

The medal's obverse bears a strutting turkey cock and the legend AMERICA, with signature ALBERT - / LAESSLE. Turtle shell under signature.

The reverse bears an ear of corn framed by separated husks. Around, ABUNDANCE.

Laessle said in the brochure that accompanied the medal:

"Wishing to symbolize the abundance of America, I have chosen for my medal two truly American subjects, the turkey and the corn."

It should be noted that America, like most other developed nations at the time, was still in the grip of the Great Depression when this medal was issued.

This medal was chosen as the 10th issue of the prestigious Society of Medalists series. It measures 73mm in diameter and was produced by the Medallic Art Company of New York. The reported mintage for this issue is 1,021 pieces in bronze and 125 in silver.

References:   MACo 1930-001-010, Marqusee 234, SoM 10