Art Deco

The obverse bears head of Dionysus above kylix with hands flanking it on left and right; sculptor's tools, lyre, books, and brushes around edge. Around Dionysus' head, SALMAGVNDI · CLVB

The reverse shows a female figure holding a scroll in one hand and a laurel in the other; sun over stylized waves to left, owl to right. Flanking figure, HONOR · ET / MERITVS; signed at bottom left, U·A·RICCI / SC

Every medal is edge inscribed to its recipient.

The Salmagundi is the oldest existing art club in America. Founded in late 1871 by a group composed of sculptors, painters, illustrators, an actor and a writer who gathered weekly to discuss art and sketch. Owing to their diverse backgrounds they adopted the name "Salmagundi Sketch Club" in 1877 after Washington Irving's Salmagundi Papers. The club moved about for many years, dropping the "Sketch" from their title in 1905, and finally settled for good at 47 Fifth Avenue in 1918. Their roster has included some of America's greatest artists including Edwin A. Abbey, William Merritt Chase, F. Childe Hassam, John LaFarge, Edward Potthast, Howard Pyle, Louis C. Tiffany and N.C. Wyeth.

The medal of honor and merit was designed in 1930 to be awarded to a member chosen by the Executive Committee for outstanding service to the club. This medal was designed around the same time that Paul Manship was designing his famous Dionysus medal for the Society of Medalists and the parallels in imagery are striking. The camaraderie of the club always focused around good food and especially drink. The first beer ever served on Fifth Avenue was at Salmagundi. The symbols of a book, lyre and tools for painting and sculpting allude to the diversity of the club's membership. The medal has been awarded 52 times since its inception.

The circular medallion measures 79.8mm in diameter and was struck in bronze by the Medallic Art Company of New York. No mintage is reported.

References:   MACo 1938-006

References:   MACo 1938-001

The medal's obverse bears art-deco eagle with spread wings holding crossed Stars and Strips and Condeferate flag in its talons; fire underneath; circled star above.  At top, FRIENDSHIP; at bottom, HONOR · SERVICE; signed under flames, JULIAN HARRIS

The reverse bears silhouette of Rich's flagship store building. Around, 1867 - COMMEMORATING / THE SEVENTYFIFTH - ANNIVERSARY / OF RICH'S INC (star) - 1942; across, A SOUTHERN INSTITUTION / MORRIS, EMANUEL / AND DANIEL RICH / FOUNDERS

Founded by Mauritius Reich, anglicized to Morris Rich, Rich's was a department store retail chain, headquartered in Atlanta, Georgia, that operated in the southern U.S. from 1867 until March 6, 2005 when the nameplate was eliminated and replaced by Macy's. Many of the former Rich's stores today form the core of Macy's Central, an Atlanta-based division of Macy's, Inc., which formerly operated as Federated Department Stores, Inc.

Daniel Rich who is mentioned on the reverse was the third brother to join the partnership in 1884.

The circular medal measures 56.9mm in diameter and was struck in bronze by the Medallic Art Company of New York.  No mintage is reported.

References:   MACo 1941-011

The obverse bears herm-type male bust facing upward against massive stylized wings. Around, ALL - PASSES ART ALONE ENDURING STAYS TO US; in lower left field, THE BUST / OUTLASTS / THE / THRONE; in exergue, THE COIN TIBERIUS; at left, incuse, R.H.RECCHIA / ©

The reverse bears nude youth leaping with outstretched arms into starry sky; hills clouds, and rays in background. Around, TOO LOW THEY BUILD WHO - BUILD BENEATH THE STARS

This medal is one of the two war-time SOM medals that were originally struck in silver because copper was largely dedicated to war needs. Apparently, 57 50mm-diameter pieces were struck in bronze but even long-time collectors have not seen any. Some were later struck in the 1970's.

Recchia drew his own inspiration for this medal from poetry, namely Austin Dobson's "Ars Victrix' for the quotes on the obverse and Edward Young's "Night Thoughts" on the reverse. Recchia wrote in the brochure accompanying the medal:

"The bust ... shows the man's mind stretching upwards, to and beyond the flight of the wings of imagination and passing time and depicting man's dreams of seeking higher realms of inspiration."

Recchia's combined message was devoid of war-time propaganda and very humanistic at its core. Or maybe the very fact that it was so humanistic made it a very effective war-time message for an audience that was fighting for the survival of western civilization.

On a personal note, this is the medal that inspired me to become a medal collector when I first saw it on display at the Yale University Art Gallery. To this day, it remains one of my favorite art medals.

This medal was chosen as the 29th issue of the prestigious Society of Medalists series in 1944. It was first produced in 50mm and was struck in silver by the Medallic Art Company of New York. OVerall, the reported production quantity of this medal is 891 small-diameter silver, 57 small-diameter bronze, 150 large-diameter bronze, and 100 large-diameter silver.

References:   MACo 1930-001-029, Marqusee 329, SoM 29

Chambellan designed this medal for the Allegheny Ludlum Steel company that was formed in 1938 by the merger of the Allegheny Steel Company of Brackenridge, Pennsylvania and the Ludlum Steel Company of Watervliet, New York. In 1996 it became part of Allegheny Technologies. I found a newspaper reference to the medal being awarded in 1946, which dates it to the period between 1938 and 1946. Dick Johnson dates it to 1946.

The obverse bears a bare chested steel worker wearing insulated gloves wielding a long rod, with machinery in the background. Above, THE PRESIDENT'S MEDAL; signed CHAMBELLAN / SC. The reverse bears a branch and a star with the embedded letters A-L. Around, ALLEGHENY LUDLUM AWARD; dedication in center, TO HONOR DISTINGUISHED SERVICE AND OUTSTANDING ACHIEVEMENT.

This bronze medal has a diameter of 98mm (3 7/8in). It was struck by the Medallic Art Company but it does not bear a maker's mark, maybe due to the chrome plating.

References:   MACo 1946-013

References:   MACo 1947-023

The medal's obverse bears a muscular nude goddess of art holding a small Nike with Pegasus and guiding star behind. The reverse bears a hand holding a modeling tool in front of a caliper and L-square. Around, THIS ABOVE ALL TO THINE OWN SELF BE TRUE.

The purpose of Abram Belskie's medal is not known, but the title, a line from Shakespeare's Hamlet, suggests that this medal was commissioned to honor artistic achievement and to encourage artists to follow their own creative impulses. In the artist's own words:

"The drama of Sculpture does not always appear on the surface but its story is indeed the story of civilization. Art is a goddess who smiles upon all, though mostly on her votaries and whose charms are very young. The sculptors of every age are the true mute though not inglorious laureates of their time and as long as men remain men, the principals [sic] of eternal beauty will woo their imagination."

This medal was chosen as the 49th issue of the prestigious Society of Medalists series. The Society's members seemed torn on this medal. While some found it beautiful and even without peer, others objected to lack of detail, anatomical weaknesses, and being "too modernistic for plain men."

The circular medal measures 73mm in diameter and was struck in bronze and silver by the Medallic Art Company.  The mintage was reported as 748 pieces in bronze. The number of silver pieces is not known but the edition was limited to 700.

References:   MACo 1930-001-049, SoM 49

The medallion's obverse bears Hermes, the messenger god, bearing a banner inscribed with UNIVERSAL SERVICE; over him, a bell from which lightning emanates. Around centerfield, within intricately patterned border, · AMERICAN · TELEPHONE · AND · TELEGRAPH · CO · AND · ASSOCIATED · COMPANIES ·

The reverse bears, within intricate border, Bell / Advanced / Management / Program / ANTHONY J. RIZZO / Presented by / (signature) / W.S. Cashel Jr. / October 1978

This large medallion is unsigned and somewhat hard to identify. The closest I could get—corresponding nicely with the medallion's style—is to identify the original designer as Paul Manship and the sculptor as Tom Rogers. Dick Johnson lists a 1980's medal modeled by Tom Rogers, based on a 1916 7 foot diameter floor plate designed by Manship and cast by Gorham. Two such plates originally resided in the Western Union Building at 195 Broadway, New York City.  He also references Murtha 75 which describes the floor plates as

"low relief of a male figure carrying a bell which emits flashes of electricity"

This sounds close and together with the corporate connection, the stylistic match, and the absence of other candidates, it sounds like a plausible match. The only mismatch is the 1978 award date, which precedes the 1980's range listed by Johnson by a few years, but small discrepancies in medal dating are not uncommon in reference works.

I have thus tentatively filed this medallion under Manship and Rogers and would love to receive confirmations or rebuttals.

The circular medallion measures 100mm in diameter and was struck in bronze. No mintage is reported.