The Beaux-Arts Medal in America

The obverse bears softly modeled and beautiful head of Victory (r.), wearing helmet decorated with the lilies of France, the oak leaves of Britain and the pine of the United States. Around, TO COMMEMORATE THE VISIT TO NEW YORK - OF THE FRENCH AND BRITISH WAR COMMISSIONS 1917; signed on collar, D C FRENCH.

The reverse bears allegorical group of three figures. On the right, standing figure of female Liberty holding sword, greeting figures of Joan of Arc and medieval knight representing France and England. Signed at lower right, E.B.LONGMAN / SC. 1917.

The medal is numbered and edge-marked MEDALLIC ART CO. N Y.

The United States officially entered World War I in 1917 and quickly tried to coordinate the war effort with the the European allies. The French and British delegations were first to arrive and were given a spectacular reception. New York mayor John Purroy Mitchel had put together a Committee of Reception that was in charge of organizing the event. As part of the activities, the committee and the American Numismatic Association (ANS) teamed up to issue this commemorative medal. They engaged Daniel Chester French and Evelyn Longman to design the two sides of the medal. Evelyn Longman was one of French's students and the first woman sculptor to be elected a full member of the National Academy of Design in 1919.

Barbara Baxter considers this medal one of French's "most outstanding pieces," the other one being his American Red Cross medal.

This is the 34th official issue of the American Numismatic Society. The medal measures 63.4mm (2.5in) and was struck in bronze, silver and gold by the Medallic Art Company of New York. The mintage is 5 in gold, 109 in silver and 171 in bronze.

Many thanks to the Yale University Art Gallery for permission to use their images of the bronze variant.

References:   ANS 34, Baxter 317, MACo 1917-013, Marqusee 180

References:   ANS 36, Baxter 319, MACo 1918-010, Marqusee 296

The obverse bears line of steel-helmeted doughboys, rifles in hand, with bayonets fixed, about to go over the top. To right, FOR / HUMANITY / 1918.

The reverse bears imaginary portrait of Col. Ephraim Williams, founder of Williams College, on horseback, in the uniform of a Continental Army officer. Around top, E LIBERALITATE E WILLIAMS ARMIGERI 1793; at bottom, THE WILLIAMS MEDAL;

Edge engraved to GOODRICH C. SCHAUFFLER PRIV.

The official description for the medal's reverse is actually a bit incorrect. The medal depicts Williams at Lake George in 1755, so he is in the uniform of a French and Indian War officer, not a Continental officer.

This medal measures 73mm in diameter and was struck in bronze. The college awarded a total of 1726 pieces to Williams men who served in World War I.

References:   Baxter 320, MACo 1918-004, Marqusee 165

References:   ANS 40, Baxter 321, MACo 1919-010, Marqusee 49

The obverse bears kneeling nude female figure gazing upwards in supplication. At bottom, PEACE; signed at bottom left, EMIL FUCHS

The reverse depicts a fight between two muscular nude male figures, one almost cowering, the other looming above him in almost theatrical pose. WAR inscribed in the exergue; signed at bottom left, EMIL FUCHS

The bottom edge is marked with "PAT PENDING" CARTIER NEW YORK - PARIS - LONDON; numbered 24 on left edge.

This medal was issued by Cartier and struck to commemorate the Treaty of Versailles marking the end of World War I. Miller also notes that

"Fuchs had previously submitted a design to the American Numismatic Society for its Peace medal. The Society eventually awarded the commission to Chester Beach. Although there is no documentation to support this theory, it is possible that this medal reflects that rejected design.

The medal measures 48mm x 70mm and was struck in bronze and silver by Cartier.

References:   Baxter 322, Marqusee 190

The obverse bears a U.S. Army Chaplain, wearing steel helmet, kneeling facing right, assisting wounded soldier in drinking from water bottle. At upper edge, 1917 - 1918; signed at left, LAURA G / FRASER / 1920.

The reverse bears cross over U.S. Navy dreadnought, South Carolina class 1908. Around upper edge, AWARDED TO THE CHAPLAINS OF THE / AMERICAN AR-MY and NAVY; across lower half, THE GENERAL WAR-TIME COMMISSION / OF THE - CHURCHES / FEDERAL COUNCIL OF THE / CHURCHES OF CHRIST IN / AMERICA.

The medal was awarded by the General Committee of Army and Navy Chaplains to the Protestant Chaplains who served with the Army and Navy of the United States during World War I.

The medal measures 70mm in diameter and was struck in bronze by the Gorham Company of Providence, Rhode Island, and the Medallic Art Company of New York.

References:   Baxter 326, MACo 1920-022, Marqusee 166

The obverse bears bust-length profile image of soldier wearing helmet. Signed below bust, DCF.

The reverse bears image of nurse attending injured soldier depicted within cross. Above, THE AMERICAN RED CROSS; to left and right of vertical bar of cross, TO COMMEMORATE - THE VISION AND / ACHIEVEMENT OF - THE WAR COUNCIL / 1917 - 1919; signed below cross, WHL / DCF.

The medal is numbered and contains the maker's mark MEDALLIC ART CO. NY.

This medal was the 42nd issue of the American Numismatic Society. It was co-issued with the American Red Cross in 1920. Daniel Chester French designed it and the Medallic Art Company executed it. The initials of Reverend William H. Low in the medal's reverse were included due to his suggestion that the the nurse stand in front of the bed.

The medal was awarded to twelve New York businessmen who volunteered for the War Council of the American Red Cross. As the Red Cross Bulletin Vol. IV No. 51 (December 13, 1920) states:

"The General Board also presented to the four members of the Wat Council who were present the special Daniel Chester French medal, authorized at its last meeting in recognition of their war service. These were Eli Wadsworth, Cornelius N. Bliss Jr., George E. Scott and Charles D. Norton. The eight other members of the War Council who will receive their medal are Henry P. Davison, chairman; William Howard Taft, George B. Case, Jesse H. Jones, Edward N. Hurley, John D. Ryan, Grayson M., P. Murphy, and Harvey D. Gibson."

The medal measures 70mm (2.75in) and was struck by the Medallic Art Company of New York. The reported mintage is 12 pieces in gold, 4 in silver and 205 in bronze.

Many thanks to the Yale University Art Gallery for permission to use the images of the bronze variant.

References:   ANS 42, Baxter 327, MACo 1920-017, Marqusee 176

References:   ANS 45, Baxter 349, MACo 1925-027, Marqusee 159

The medal's obverse features a powerful, god-like figure carrying in his arms a limp body; in background, towering cloud with lightning and waves. Around, MIDLAND · UTILITIES · MEDAL; in exergue, · 1928 (AF monogram)

The reverse bears burning candle. Around, AWARDED · IN · RECOGNITION · OF / GREAT · PUBLIC · SERVICE · IN / SAVING · HUMAN · LIFE; at bottom; · TO · / ALBERT - FARMER / · 19 - 33 ·

The edge is marked MEDALLIC ART CO. N.Y. SILVER

De Francisci designed this medal for the Midland Utilities Company as an award given to people who had saved a human life. The medals were expensively customized for each recipient and certainly not mass-produced.

This particular medal was awarded to Albert Farmer of Terre Haute, Indiana. Mr. Farmer, who worked as a railroad lineman for the Indiana Railroad Company, resuscitated the 4 year old Harry Sumner, saving him from drowning on July 31st, 1932.

The medal was first awarded in 1929. In 1933, the year in which this medal was awarded, only five life saving medal were awarded, providing an indication of the rarity of this medal.

The medal measures 64mm in diameter and was struck in bronze and silver by the Medallic Art Company of New York. No mintages are reported.

References:   Baxter 350, MACo 1928-060, Marqusee 135

The medal's obverse bears male figure at right, seated on bench, chin resting on his hand, looking pensively at city's skyline to his left; painter's tools at his feet. Around top right, ARCHITECV-RAL; in exergue, · LEAGUE · ; on bench, N.Y.

The reverse bears female figure, r., holding victor's laurels in outstretched hand and palm fronds in other. Signed at bottom right, H.A. MacNeil / FECIT

The circular medal was struck by the Medallic Art Company of New York.

References:   Baxter 351, MACo 1920-012